Jane Claire Hervey is a multidisciplinary artist and writer, originally from Rio Hondo, Texas. Her work is informed by history, wildlife, politics of space, romance and being a bad woman. Hervey has lived and worked in Austin, Texas since 2011. In addition to her creative practice as a musician and writer, Hervey is also the founder of #bossbabesATX (a support organization for women and nonbinary creatives, entrepreneurs and community organizers) and her own communications and experience design firm, group work.

Featuring repertoire of new originals from UT students and jazz faculty, as well as well-known jazz standards.

After last season's sold out performance in Jessen, Nel returns to Bates with a special program of classical era repertoire on the fortepiano.

Sweat baths have been used in Mesoamerica for well over a millennium. During this long span of time, the Mesoamerican sweat bath has held a relatively consistent place within mythology; the structure is an Old Goddess, a grandmother who both generates and destroys the living population. The discovery of a unique sweat bath structure at the Classic Maya site of Xultun, Guatemala offers a look into its use and associated deities. The exterior of the structure is ornamented with painted stucco depicting a single figure in a squatting position where each segment of their limbs is formed by amphibian and reptilian conflations. A large interior deposit contained an assemblage of mainly aquatic fauna, including several large cane toads and iguanas matching the illustrations on the structure’s exterior as well as an infant and burned adult remains. While archaeological evidence for sweat baths is common throughout Mesoamerica, the Xultun sweat bath provides a wealth of details regarding religious associations surrounding these structures, including the strong link between Old Goddesses, the aquatic realm, and the cyclical and transformative process of existence. This lecture is free and open to the public.

Mary Clarke is an archaeologist and archaeological illustrator currently pursuing a PhD in Archaeology at Boston University. Her foci are the Ancient Maya and Mesoamerica more broadly, digital applications in archaeology, and virtual worlds, specifically their use in community and public archaeology.