Before opening night, designers undertake a long process to create the visual aspects of the production the audience will see on stage. The scenery, lighting and costume design are meticulously planned by members of the creative team. Visit the Dean's Office to see the work of graduate students who work behind-the-scenes in the Department of Theatre and Dance's Design and Technology program. The collection includes theoretical projects from studio classes and realized designs for plays and dance concerts produced on campus, such as this semester's productions of The Diary of Anne Frank and The Wild Party.
College of Fine Arts News
Representatives from all three of the College of Fine Arts’ academic units traveled to the Rio Grande Valley in October to collaborate with high schools and programs to encourage more students to pursue higher education in the Fine Arts.
Associate Professor Stephennie Mulder’s book on medieval Syrian shrines took the $10,000 top prize at the 2015 University Co-op Robert W. Hamilton Book Awards. Announced Nov. 2, Mulder is the fifth recipient connected to the College of Fine Arts to receive the university-wide award.
About 40 years ago, Painting and Drawing Professor Troy Brauntuch experienced a flash of “big-shot” fame. New York Times Style Magazine looks at his rise to stardom in the late 1970s and his departure from the New York City art scene a decade later. A selection of Brauntuch’s work from that late ‘70s period of his career is on view at the Petzel Gallery through Jan. 9.
Hey students! Ever wonder about how the college stocks its vending machines? Or what resources are available to help you write an arts-focused resume? Worried how construction in the library could impact your study space? Dean Doug Dempster is ready to answer students’ questions about the College of Fine Arts.
To send a question to the dean, go to the college’s Facebook, Twitter or Instagram and use #AskCOFADean. Answers will post online by the end of the semester.
Gracelee Lawrence and Ryan Hawk, two graduate students in Studio Art, were named recipients of this year’s UMLAUF Prize. It unusual for two students to win the award, and prize juror Suzanne Deal explains to KUT’s Arts Eclectic how this came to be. Also hear the inspiration behind the students’ work.
Stephennie Mulder, associate professor of Islamic Art with the Department of Art and Art History wrote an op-ed for the Huffington Post with Erica Marie Bsumek, associate professor of American History, on the textual subversion techniques used by Arabic-speaking graffiti artists on the set of the TV series Homeland. Artists hired to adorn the set in Arabic graffiti wrote messages describing the show as racist. Similar strategies were used by Native American actors in 1960s films.
Design Lecturer James Walker reminisces in the Fort Worth Star-Telegram on those simple times of his childhood: “rainy days, family gatherings, boredom with endless free time” that opened the door to hours of playing Monopoly with others. As the classic board game turns 80, he fears game consoles and technology will replace the simple joy of passing Go.
Three students from the university’s Center for Frontiers of Subsurface Energy, including the Butler School of Music’s Jeffrey Olson, teamed up with two employees at the College of Engineering to create the poem, As Above, So Below. It won second place in the Department of Energy’s Poetry of Science contest, which challenged teams to convey the wonder of science using poetry inspired by a scientific image.
The Hearst Foundations have awarded a $200,000 grant to the Center for Arts and Entertainment Technologies in the College of Fine Arts and the Fine Arts Library at The University of Texas at Austin to help create a common makerspace — called the Foundry — where students can create 3-D objects, videos, apps and other creative projects in the digital arts.