This month the versatile and innovative violinist Anne Akiko Meyers goes on tour with the worlds most celebrated jazz trumpeter, Chris Botti. The first concerts took places earlier in January in Greensville (SC), Morristown (NJ) and Portland (ME) with future dates in Durham (NC) on January 25th and 26th and West Palm Beach on January 28th with more to be announced in the spring. On the program Meyers joins Chris Botti in his GRAMMY-nominated Emmanuel from Bottis latest recording project Chris Botti in Boston.
College of Fine Arts News
“Making the Scene: A History of Stage Design and Technology in Europe and the United States”
The University of Texas at Austin Department of Theatre and Dance announces the publication of Professor Emeritus Oscar G. Brockett’s, new book, Making the Scene: A History of Stage Design and Technology in Europe and the United States. Co-authored by Margaret A. Mitchell, professor of Theatre Arts at the University of the Incarnate Word in San Antonio, Texas, Making the Scene offers an unprecedented survey of the evolving context, theory and practice of scene design from ancient Greek times to the present. The work is enhanced by 350 full-color illustrations edited by Linda Hardberger, founding curator of the Tobin Collection of Theatre Arts at the Marion Koogler McNay Art Museum in San Antonio, Texas.
Brockett began teaching in university theatre programs in 1949 and is widely considered to be the world’s foremost theatre historian. His book, History of the Theatre, is the top-ranked and highest-selling theatre history text of the 20th century. He joined The University of Texas at Austin in 1978 as dean of the College of Fine Arts, and in 1980 was appointed head of the Ph.D. in Theatre History program in the Department of Theatre and Dance until his retirement in 2006. A recipient of a Guggenheim Fellowship and Fulbright Award, he is a Fellow of the American Theatre at the Kennedy Center and has been honored with multiple Career Achievement Awards including the Texas Educational Theatre Association 2008 Emeritus Award and the 2009 USITT Award from the US Institute for Theatre Technology. He and Making the Scene collaborators will be presented with the USITT Golden Pen award at their annual conference this spring.
Landmarks Commissions Artist David Ellis for Video to Premiere at Inauguration of New Visual Arts Center
AUSTIN, TexasThe Landmarks public art program at The University of Texas at Austin has commissioned New York artist David Ellis, known for his stunning motion paintings, to create an original video for the university.
The unveiling will coincide with the opening of the Department of Art & Art Historys new Visual Arts Center (VAC) in September 2010.
The VAC is a spectacular venue for showcasing new work by our faculty, students, alumni and emerging artists like David Ellis, said Doug Dempster, dean of the College of Fine Arts. It provides an ideal collaborative context for Art & Art History and the Landmarks public art program to host artist residencies that enrich the universitys public art collection.
The Landmarks commission represents the first work of video art to be acquired by the universitys growing public art collection and will initiate the only ongoing presentation of artists videos on campus. This project also presents the first opportunity for Landmarks and the Department of Art & Art History to work closely together. The VAC will provide workspace to Ellis over a four-week period this spring, and the residency will create opportunities for the artist to engage with students, faculty and the public.
The partnership between the Department of Art & Art History and Landmarks is the perfect way to foster the type of dialogue and interaction that are central to our program, said Jade Walker, director of the VAC. Students who connect with Ellis will have the opportunity to experience his entire process and relate to him on a personal level.
Ellis is the perfect choice, said Andre Bober, Landmarks founding director. We searched broadly and deliberated with faculty and students. The enthusiasm for his work was decisive.
In planning a public art installation for the Art building, Landmarks sought a commission that would resonate with faculty and student artists.
We hooked into this idea that if the work was about process, then everyone could relate to it, Bober said. Elliss work embodies process, from conception through creation and even in his presentation.
Walker envisions the new galleries as a platform for engagement that reaches far beyond the university community.
The VAC will be a centralized space in which to share the work of the departments renowned faculty and highlight the accomplishments of our students, Walker said. It will serve as a catalyst for new projects and collaborations with contemporary artists and leading scholars.”
Ellis is a New York-based artist who creates paintings, prints, videos and installations that draw upon popular references and captivate audiences with insouciant energy. His work has been included in exhibitions at the Mattress Factory, P.S.1 Contemporary Art Center, ICA Philadelphia and his motion painting Paint on Trucks in a World in Need of Love exhibited at the Museum of Modern Art in New York. He also created a site-specific installation at the Rice University Gallery in Houston in 2006 entitled Conversation.
For more information about Landmarks visit http://landmarks.utexas.edu/.
For more information about the Visual Arts Center visit http://www.finearts.utexas.edu/aah/facilities/vac/index.cfm.
AUSTIN, TexasFaculty in the Butler School of Music at The University of Texas at Austin have donated $25,000 to establish a new endowed scholarship in music.
The initiative was a grassroots effort on the part of the faculty that began in summer 2009, when Sarah and Ernest Butler, in their continued support of the Butler School, announced an initiative to provide matching funds for any scholarship gifts between $25,000 and $50,000 through the end of 2009. Several members of the faculty saw the announcement as an opportunity to help provide much-needed student aid, and began talking with their colleagues about donating to the effort.
The resulting $50,000 endowed scholarship in music, when matched by the Butlers in January 2010, will support undergraduate and graduate students in music.
I am particularly moved by the fact that in a year in which the faculty received no merit raises, they would voluntarily donate funds in an amount sufficient to establish an endowed scholarship, said B. Glenn Chandler, director of the Butler School of Music. This is just another example of the unwavering dedication our faculty have to the education of their students.
The matching funds provided by the Butlers are part of their latest endeavor in what has been nearly 30 years of support of the School of Music, including a $55 million gift in 2008 that resulted in the renaming of the school in their honor. To date, the dollar-for-dollar matching program has resulted in seven new scholarships for music, and Chandler said he anticipates that three additional scholarships in progress will also be matched.
For more information about the Ernest and Sarah Butler School of Music, visit the Web site at www.music.utexas.edu.
Department of Theatre and Dance Production Receives Accolades
Produced by the Department of Theatre and Dance, and staged by director Halena Kays, The Trojan Women received a great review by Austin American Statesman arts writer, Jeanne Claire van Ryzin.
Read Jeanne Claire van Ryzin’s review.
Theatre and Dance Alumna Marcia Gay Harden is Commencement Speaker for The University of Texas at Austin's May Ceremony
Tony Award-Winning Actress Addresses Spring Graduates on May 22, 2010
AUSTIN, Texas Marcia Gay Harden, a University of Texas at Austin graduate who has received an Oscar, a Best Actress Tony Award and numerous other honors throughout her career, will be the speaker for the 127th Spring Commencement at The University of Texas at Austin on May 22, 2010.
Her speech will be presented on the university’s Main Mall in front of the Tower during a festive ceremony that traditionally draws thousands of students, their parents and guests to the campus.
“I’m thrilled and honored to speak to these bright young minds, ready to go out and improve our world,” said Harden. “They are the new philosophers, scientists, artists and economists, and it will be exciting to watch them discover their gifts.”
Harden received her bachelor of arts degree in theatre from The University of Texas at Austin and her master of fine arts degree from the graduate acting program at New York University. She lives in the Harlem neighborhood of New York City with her husband and three children.
“We are very proud of Marcia and the many awards and honors she has earned throughout her very distinguished acting career,” said William Powers Jr., president of The University of Texas at Austin. “Her amazing ability to transform words on a script into the role of a believable character is truly remarkable, and her tenacious spirit that has brought her this far makes us proud to say she is one of our own.”
Harden’s character portraits have been described by critics as searing, heartbreaking, inventive, pure and profane simultaneously, astonishing, authentic and sensuous. From the glamorous Ava Gardner in “Sinatra,” to the artist Lee Krasner in “Pollock” (for which she won the Best Supporting Actress Oscar), to the down and out Cecelia in “Mystic River” (for which she received another Academy Award nomination) Harden has created a signature style based in character transformation. Her versatility and wide range have been praised in such films as “Millers Crossing,” “The First Wives Club,” “Meet Joe Black,” “Mona Lisa Smile,” “The Hoax” and “Used People.”
Harden recently garnered a Best Actress Tony Award for her starring role in the Tony Award-winning Broadway play “God of Carnage.” She received an Outer Circle Critics Award for her performance, as well as nominations from the Drama Desk and Drama League. She was recently nominated for an Emmy Award for Outstanding Supporting Actress in a Miniseries or Movie for her role in “The Courageous Heart of Irena Sendler.” Other nominations include a Tony Award nomination for Tony Kushner’s “Angels in America” (for which she won the Drama Desk and Theatre World Awards), an Emmy nomination for her guest appearance on “Law and Order: SVU” and an Independent Spirit Award nomination for “American Gun.”
Professor Emeritus Art Exhibition Continues Through January 14, 2010
AUSTIN, Texas The exhibition Kelly Fearing: Selections From A Life in Art provides an introduction to work that visual artist Fearing has created during his long and distinguished career. The exhibition is free and open to the public at The University of Texas at Austin’s Texas Performing Arts, Bass Concert Hall, 5th Floor between the hours of 11am 2pm, Monday through Friday and during performances at Bass Concert Hall.
Guest Curator Mark L. Smith included a few of Fearing’s early works, many mid-career pieces and items fresh from his studio in West Lake Hills, Texas. It is a modest tribute to Fearing’s notable career. His admirers may see some of their favorites here, and viewers discovering his work for the first time will hopefully be inspired to see more by this exceptional artist.
Fearing is a living, national art treasure. An internationally respected artist and art educator, he has conducted the bulk of his career in Austin. A professor emeritus in The University of Texas at Austin’s Department of Art and Art History, he co-authored four, major textbooks in art education while mentoring and inspiring hundreds of art teachers during his 40 year tenure at the university. Fearing has received innumerable awards and has been the subject of many museum exhibitions. He was selected as the Texas Tribute Artist for the 2009 Texas Biennial; in 2008 he received the Lifetime Achievement Award from the Center for the Study of Early Texas Art; in 2007 he received the prestigious E. William Doty Award from the university’s College of Fine Arts; and he was inducted into the Austin Arts Hall of Fame in 2003.
In 2002, the university organized The Mystical World of Kelly Fearing: A Sixty-year Retrospective, co-hosted by the Creative Research Laboratory and Flatbed Press. In 2005, his work was included in the seminal exhibition Texas Modern: The Rediscovery of Early Texas Modernism (1935-1965) at the Martin Museum of Art at Baylor University. This exhibition will reinstalled at the Museum of South Texas in Corpus Christi through January 3, 2010. In 2007, his work was included in the landmark exhibition at the Amon Carter Museum, Intimate Modernism: Fort Worth Circle Artists in the 1940s. Fearing’s work has inspired not only countless artists but also writers; in 2009, North Carolina poet Andrea Selch published a book of thirteen poems about his work: Boy Returning Water to the Sea: Koans for Kelly Fearing.
Visual Arts Center in Department of Art and Art History Scheduled for Completion Spring 2010 at The University of Texas at Austin
Art Building to get a New Entrance and Exhibition Space
The former site of the Jack S. Blanton Museum of Art in the Art Building is undergoing major renovation to house a new contemporary art hub, the Visual Arts Center (VAC) in the Department of Art and Art History at The University of Texas at Austin. The newly renovated space, designed by renowned architects Lake | Flato, will house exhibitions, educational instruction and research within the Department of Art and Art History. The construction is scheduled for completion in spring 2010, and the VAC will open its doors for its premier exhibition in September 2010.
Since March 2007, Lake | Flato has been working with the university to create an innovative renovation for the department. The VAC space is a central component of this remodel. It is prominently placed to serve as the hub of creative, academic and social life for visual art students with exhibitions, lectures, symposia, the Maya Meetings at Texas, art related conferences and much more. In addition, there will finally be a prominent entrance to the Art Building, elevating the overall physical look and changing the face of the department’s home.
“This dynamic new facility will draw students, professors, scholars and the public together to explore the visual arts within the department and beyond,” said John Yancey, chair of the Department of Art and Art History. “Graduate students will, for the first time, have premier spaces for research and production. All four divisions (art history, design, studio art and visual arts studies/art education) will share the benefits of this facility.”
When completed, the Visual Arts Center will have a state-of-the-art exhibition venue, along with a new outdoor courtyard for a variety of programming. The new exhibition galleries will present a year-round schedule of exhibitions from faculty, students, alumni and visiting artists. The outdoor courtyard will function as a multi-use space where audiences can view outdoor installation, sculpture, video and time-based art. The entire facility will be available for the campus and larger community to attend exhibitions, events and activities.
“The Visual Arts Center will provide a home from which all department exhibitions, events and activities will flourish,” said Jade Walker, director of the Visual Arts Center and curator of the Courtyard Gallery at the AT&T Executive Education and Conference Center. “It will not only exist as a departmental exhibition space, but also as one of the leading contemporary arts spaces in Texas.”
Learn more about the Visual Arts Center at www.utvac.org
New Name Reflects Academic Mission of the College of Fine Arts
Under the new leadership of Director and Associate Dean Kathy Panoff, The University of Texas at Austin Performing Arts Center has a new name: Texas Performing Arts at The University of Texas at Austin.
The change aligns the program with its prevailing academic mission as a College of Fine Arts unit and the strong recognition and tradition associated with the university.
Texas Performing Arts is a more comprehensive representation of the remarkable work our students, faculty and staff do on our stages, in our classrooms, studios and production shops and in the campus and community engagement activities we provide for the Austin community, Panoff said.
In addition to its important academic role at the university, Texas Performing Arts presents significant works of music, theatre, dance and conversation at six venues across the campus, as well as the best in touring Broadway and concert attractions. This breadth of programming is not available anywhere else in Central Texas.
Since Panoff’s arrival, subscriptions for the 2009-2010 Texas Performing Arts season have more than tripled.
We worked very hard, she said, to put together a season of internationally renowned artists, and as the new director I am pleased and honored by the community’s enthusiastic response.
And while Panoff has only recently begun her tenure at Texas Performing Arts, she was able to put her stamp on the upcoming season while dividing her time last semester between Austin and her former directorial position at the University of Richmond’s Modlin Center. Her involvement in personalizing the season includes a role in developing the look and tone of the 2009-2010 season brochure, an effort to develop stronger faculty, student, campus and community involvement in Texas Performing Arts and the addition of Bela Fleck, Zakir Hussain and Edgar Meyer; Robert Crumb and Art Spiegelman: A Conversation hosted by Franoise Mouly; and New Zealand dance company, Black Grace, to the season.
Leonard Lehrer appointed as part-time Visiting Professor in Art
The College of Fine Arts and the Department of Art and Art History have jointly appointed Professor Leonard Lehrer as a part-time Visiting Professor in Art. Professor Lehrer’s appointment will focus on revitalizing the 30 year-old Guest Artist in Printmaking Program (GAPP) and to serve as an advisor at large for various College initiatives including the newly implemented Arts Education initiative of the College of Fine Arts.
Professor Lehrer’s primary responsibility will be to coordinate a new program tentatively titled Printmaking Convergence that will enhance the 30 year-old GAPP and bring national attention to the graduate printmaking program and new Visual Arts Center (VAC) printmaking studio. His main focus will be on developing a program that takes advantage of the wealth of fine art print-related resources at The University of Texas, in the Austin community and across the state and nation. The goal of the program is to promote the art of the print and all of its manifestations across a broad spectrum of art making and scholarship in order to enhance the educational mission of the department. Professor Lehrer will teach one organized course per year and serve as the director of the Printmaking Convergence program.
Knowledge of his retirement from Colombia College in Chicago came to us during the summer months. The fortuitous opportunity to bring an individual of his experience to UT was simply too good to pass up. In addition to the focus on printmaking, his national leadership role in developing arts education policy will benefit the College’s goal of improving high school arts education in the State of Texas.
He comes to Austin after serving from 2000 2007 as Dean of the School of Fine and Performing Arts at Columbia College, and most recently as Associate Provost for External Affairs. Previous to this appointment he held positions as chair or director of art departments and art schools at The University of New Mexico, The University of Texas at San Antonio, Arizona State University and New York University. He served on the College Art Association’s committee to establish national guidelines for the M.F.A. and B.F.A degrees; he was also President of the MidAmerica College Art Association.
Professor Lehrer is currently Chair of the College Board’s National Taskforce on Arts Education, a Founding Trustee of the International Print Center New York (IPCNY), Trustee of apexart Gallery, New York, and Trustee of the International Centre for Culture and Management (ICCM), Salzburg, Austria. He recently received the highly prestigious Lifetime Achievement in Printmaking Award by the Southern Graphics Council. Previous winners of this award include Xu Bing, William Wiley, Warrington Colescott and Chuck Close. Professor Lehrer is a painter and printmaker whose work has been seen internationally for several decades. He has had more than 43 solo exhibitions; these include shows in New York City, Philadelphia and extensively throughout the United States, Germany, Austria and Spain including five, one-person museum exhibitions.