A celebration weekend in September will highlight the grand opening of the new Visual Arts Center at The University of Texas at Austin, a vibrant new collaboration and exhibition space created by the College of Fine Arts Department of Art and Art History.
College of Fine Arts News
In 2009, UT grads Ann and Malcolm Brown created the Ann Callaway Brown Endowment Fund for the UT String Project. This endowment supports the UT String Project, which serves as a nationwide example for the training of teachers and young string players. The UT String Project has received numerous national awards, including the First Education Institution Award for being the most significant program in strings among American universities and colleges, and was named 2008 String Project of the Year by the National String Project Consortium. Learn more about the Malcolm's and their inspiring support of one of the oldest string projects in the nation.
Dr. Brant Pope, currently head of the Department of Theatre at The University of Illinois, has been appointed chair of the Department of Theatre and Dance at The University of Texas at Austin, effective June 1, 2010.
Two faculty members in the Department of Art and Art History, Lawrence McFarland and Troy Brauntuch, have each been awarded a Guggenheim Fellowship by the John Simon Guggenheim Memorial Foundation in New York City. The prestigious fellowships are granted annually, based on demonstrated achievement and exceptional promise for productive scholarship and creative ability.
The 2010 Maya Meetings will take place at UT-Austin’s new academic and conference center for Mesoamerican studies, the Casa Herrera, a beautifully restored 17th-century mansion located near the center of Antigua, Guatemala’s colonial capital. The Casa Herrera is a new research, conference and teaching facility operated by the Department of Art and Art History at the University of Texas at Austin in collaboration with the Fundacin Pantalen. The Maya Meetings will offer a combination of learning workshops and academic lectures. Three workshops focusing on hieroglyphs and iconography will run for four days from March 16 through 19, accompanied by two courtyard lectures during each evening. The topic of the 2010 Maya Meetings will focus on new developments in the study of early Maya iconography and writing, focusing on the sites of Kaminaljuyu, Takalik Abaj, Izapa, San Bartolo and others.
Meyers has commissioned Jakub Ciupinski to write, ‘The Wreck of the Umbria’ for violin and electronics.
Meyers and Nel will perform Beethoven, Schnittke, Duke, Gershwin and others at Bates Recital Hall on February 7th at 4 PM.
This month the versatile and innovative violinist Anne Akiko Meyers goes on tour with the worlds most celebrated jazz trumpeter, Chris Botti. The first concerts took places earlier in January in Greensville (SC), Morristown (NJ) and Portland (ME) with future dates in Durham (NC) on January 25th and 26th and West Palm Beach on January 28th with more to be announced in the spring. On the program Meyers joins Chris Botti in his GRAMMY-nominated Emmanuel from Bottis latest recording project Chris Botti in Boston.
“Making the Scene: A History of Stage Design and Technology in Europe and the United States”
The University of Texas at Austin Department of Theatre and Dance announces the publication of Professor Emeritus Oscar G. Brockett’s, new book, Making the Scene: A History of Stage Design and Technology in Europe and the United States. Co-authored by Margaret A. Mitchell, professor of Theatre Arts at the University of the Incarnate Word in San Antonio, Texas, Making the Scene offers an unprecedented survey of the evolving context, theory and practice of scene design from ancient Greek times to the present. The work is enhanced by 350 full-color illustrations edited by Linda Hardberger, founding curator of the Tobin Collection of Theatre Arts at the Marion Koogler McNay Art Museum in San Antonio, Texas.
Brockett began teaching in university theatre programs in 1949 and is widely considered to be the world’s foremost theatre historian. His book, History of the Theatre, is the top-ranked and highest-selling theatre history text of the 20th century. He joined The University of Texas at Austin in 1978 as dean of the College of Fine Arts, and in 1980 was appointed head of the Ph.D. in Theatre History program in the Department of Theatre and Dance until his retirement in 2006. A recipient of a Guggenheim Fellowship and Fulbright Award, he is a Fellow of the American Theatre at the Kennedy Center and has been honored with multiple Career Achievement Awards including the Texas Educational Theatre Association 2008 Emeritus Award and the 2009 USITT Award from the US Institute for Theatre Technology. He and Making the Scene collaborators will be presented with the USITT Golden Pen award at their annual conference this spring.
Landmarks Commissions Artist David Ellis for Video to Premiere at Inauguration of New Visual Arts Center
AUSTIN, TexasThe Landmarks public art program at The University of Texas at Austin has commissioned New York artist David Ellis, known for his stunning motion paintings, to create an original video for the university.
The unveiling will coincide with the opening of the Department of Art & Art Historys new Visual Arts Center (VAC) in September 2010.
The VAC is a spectacular venue for showcasing new work by our faculty, students, alumni and emerging artists like David Ellis, said Doug Dempster, dean of the College of Fine Arts. It provides an ideal collaborative context for Art & Art History and the Landmarks public art program to host artist residencies that enrich the universitys public art collection.
The Landmarks commission represents the first work of video art to be acquired by the universitys growing public art collection and will initiate the only ongoing presentation of artists videos on campus. This project also presents the first opportunity for Landmarks and the Department of Art & Art History to work closely together. The VAC will provide workspace to Ellis over a four-week period this spring, and the residency will create opportunities for the artist to engage with students, faculty and the public.
The partnership between the Department of Art & Art History and Landmarks is the perfect way to foster the type of dialogue and interaction that are central to our program, said Jade Walker, director of the VAC. Students who connect with Ellis will have the opportunity to experience his entire process and relate to him on a personal level.
Ellis is the perfect choice, said Andre Bober, Landmarks founding director. We searched broadly and deliberated with faculty and students. The enthusiasm for his work was decisive.
In planning a public art installation for the Art building, Landmarks sought a commission that would resonate with faculty and student artists.
We hooked into this idea that if the work was about process, then everyone could relate to it, Bober said. Elliss work embodies process, from conception through creation and even in his presentation.
Walker envisions the new galleries as a platform for engagement that reaches far beyond the university community.
The VAC will be a centralized space in which to share the work of the departments renowned faculty and highlight the accomplishments of our students, Walker said. It will serve as a catalyst for new projects and collaborations with contemporary artists and leading scholars.”
Ellis is a New York-based artist who creates paintings, prints, videos and installations that draw upon popular references and captivate audiences with insouciant energy. His work has been included in exhibitions at the Mattress Factory, P.S.1 Contemporary Art Center, ICA Philadelphia and his motion painting Paint on Trucks in a World in Need of Love exhibited at the Museum of Modern Art in New York. He also created a site-specific installation at the Rice University Gallery in Houston in 2006 entitled Conversation.
For more information about Landmarks visit http://landmarks.utexas.edu/.
For more information about the Visual Arts Center visit http://www.finearts.utexas.edu/aah/facilities/vac/index.cfm.
AUSTIN, TexasFaculty in the Butler School of Music at The University of Texas at Austin have donated $25,000 to establish a new endowed scholarship in music.
The initiative was a grassroots effort on the part of the faculty that began in summer 2009, when Sarah and Ernest Butler, in their continued support of the Butler School, announced an initiative to provide matching funds for any scholarship gifts between $25,000 and $50,000 through the end of 2009. Several members of the faculty saw the announcement as an opportunity to help provide much-needed student aid, and began talking with their colleagues about donating to the effort.
The resulting $50,000 endowed scholarship in music, when matched by the Butlers in January 2010, will support undergraduate and graduate students in music.
I am particularly moved by the fact that in a year in which the faculty received no merit raises, they would voluntarily donate funds in an amount sufficient to establish an endowed scholarship, said B. Glenn Chandler, director of the Butler School of Music. This is just another example of the unwavering dedication our faculty have to the education of their students.
The matching funds provided by the Butlers are part of their latest endeavor in what has been nearly 30 years of support of the School of Music, including a $55 million gift in 2008 that resulted in the renaming of the school in their honor. To date, the dollar-for-dollar matching program has resulted in seven new scholarships for music, and Chandler said he anticipates that three additional scholarships in progress will also be matched.
For more information about the Ernest and Sarah Butler School of Music, visit the Web site at www.music.utexas.edu.